Where audiences are taken inside the musical experience from the “performers’ perspective.”
Sing with the Symphony concerts are developed as individual programs uniquely suited to the artistic, educational and cultural needs of the orchestra and its community.
J.S. Bach/Ormandy Chorale Prelude: From Heav’n Above
choir and audience participation
Stravinsky-Bach Vom Himmel hoch Chorale Variations
selected participation
R. Vaughan Williams Winter from Folksongs of the Four Seasons
full section or selections to feature choir
David Brunner Winter Changes (orchestrated)
short contemporary song with moving text by a child
for choir and orchestra
P. I. Tchaikovsky Suite from The Nutcracker or selected movements
choir, young dancers (optional)
Otto Nicolai Christmas Overture (based on From Heav’n Above)
choir and audience participation
Benjamin Britten Scene 2 from St. Nicolas
choir, tenor solo, audience participation
Daniel Brewbaker little tree (e.e. cummings) (orchestrated)
short contemporary song about a child
choir and narration
Arthur Honegger Overture and Finale (from Une Cantate de Noel)
based on familiar carols (“Silent Night,” etc.)
choir and audience participation
N. Rimsky-Korsakov Christmas Night (Orchestral Suite)
Otto Nicolai Overture, Op. 31 (“A Mighty Fortress”)
choir and audience participation
George Bizet Carmen “Chorus of Street Boys”
choir/orchestra
Aaron Copland Variations on a Shaker Melody (“Simple Gifts”)
choir and audience participation
P.I Tchaikovsky Symphony No. 4 (4th mvmt: Little Birch Tree)
choir and audience participation
Virgil Thomson Theme and Variations on “Yankee Doodle”
choir and audience participation
R. Vaughan Williams Fantasia on Greensleeves
choir and audience participation
Benjamin Britten Irish Reel
orchestra only
Frederic Smetana The Bartered Bride
Introduction and Chorus of Village Folk, choir
Antonin Dvorak Symphony No. 9 (2nd mvmt. “Goin’ home”)
choir and audience participation
Aaron Copland Four Dance Episodes from Rodeo (selected)
work songs, cowboy songs, orchestra only
Stravinsky-Bach Greeting Prelude
“Happy Birthday,” orchestra only
Serge Prokofiev Symphony Suite for Children
“A Summer’s Day,” orchestra only
Roger Quilter “Non Nobis Domine”
choir and audience participation
Benjamin Britten Canadian Carnival, Op. 19 (“Alouette”)
choir and audience participation
Gabriel Faure Pavane
choir
Frederick Delius Appalachia (“Dixie” and “Yankee Doodle”)
choir and audience participation
Virgil Thomson Fanfare for France
orchestra only
Robert Kyr Violin Concerto (Variations on “What Wond’rous Love is This”)
Part I and IV, violin solo, choir and
audience participation
Jean Sibelius Finlandia
choir and audience participation
Ernest MacMillan Fantasy on Scottish Themes
orchestra only
Bill Cahn Songs from Gahu
African drumming, dancing, orchestra
Oscar Peterson Hymn to Freedom
w/rhythm section, choir and audience participation
Tribute to Pete Seeger (orchestrated)
Where have all the flowers gone
Lean on Me (We shall overcome)
Turn, Turn, Turn
Mahler, Symphony No. 1 (Third Movement)
Main theme of the Allegro taken from the Wayfarer Song “Ging heut’ Morgen ubers Feld.” The Funeral March opens with the well known song “Bruder Martin.” (“Frere Jacques”)
Brahms, Academic Festival Overture
Based on four jolly student songs used as thematic material:
1) “Landesvater;” 2) “Was kommt dort von der Hoeh’;” 3) “Wir hatten gebauet;” and 4) “Gaudeamus igitur.”
Sibelius, Finlandia
Based on Sibelius’ song “Finlandia.”
The music became so popular that it is known as the Finnish National Anthem.
Copland, Appalachian Spring
Ballet for Martha Graham based on life in rural America and the singable Shaker song, “Simple Gifts.”
Strauss, Aus Italien
Based on Luigi Denza’s “Funiculi faunicula.”
Tchaikovsky, Symphony No. 4 (Fourth Movement)
Based on the Russian folk song “The Birch Tree.”